Korean ceramic artist, Lee Se Yong, creates
opposites. Embracing tradition, he refines and redefines basics with modern
forms of clay-sculpturing, at the same time
working freely with both traditional and modern images. The ancient craft of
inlay, spinning and firing is his favoured mode of artistic
delivery.
Seeking inspiration from nature, Lee
emphasizes imperfection and perfection at the same time. His style is purposely
minimalist and at times asymmetrical and roughly
textured, seemingly unfinished and flawed. Yet he attains perfection through
the intricate artistry of the work. Using blue paint on
white porcelain, Lee is concerned with depicting light and shade, delicate
lines and bold spaces.
Lee also blends the gap between utility and
aestheticism seamlessly. While the idea of the everyday object is not new, Lee’s unique contribution lies in the
creation rather than the product and creates ceramic works that are conceptual
in ideas and form.
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